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That interplay between the songs and the virtual characters making the album, more vital than most professional music critics will admit, just isn’t there the group feel like passive spectators who only occasionally break through the noise. Strong sequencing and those Ben Mendelsohn interludes do help with the flow and creation of a semi-coherent narrative (party in a tower at the end of the world), but “Carnival” is completely forgettable, the hook on “Let Me Out” is rather deflating, and the album fails to feel like a Gorillaz album. But, if I am being honest, I am more in love with that utterly insane opening run than I am the album’s second half, where it falls off somewhat. I love Humanz, contrary to how most of the fandom has turned on it in the year following its release, I have been bumping it regularly, and it still ended up my second favourite album of the whole year. Oh, how I ‘ummed’ and ‘ahhed’ between this one and the next entry. The last ‘song’ is just a 30 second recording of a novelty yodelling pickle toy. If anything, The Fall’s closest relative is that of Albarn’s own Democrazy, a collection of demos put out there for hardcore fans to pour over but of little interest to everyone else. Admittedly, it is often pleasant to listen to and the set contains a few genuine standout tracks that deserve way more love from both fans and Albarn himself – “Little Pink Plastic Bags,” “Amarillo,” “Bobby in Phoenix,” and especially the gorgeous homesick melancholy of “Revolving Doors” – but much of the album feels like a bunch of half-formed thoughts that drift by without incident. The results are disappointingly largely what that sounds like. The Fall is Damon Albarn noodling around with his iPad whilst on tour in North America promoting Plastic Beach. Let’s start with the black sheep of the clan.

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So, with a new album, that TV series (FINALLY), and the grand return of LORE all inbound, what better time to stop and take stock of the recorded output so far of 2D, Noodle, Murdoc, Russel, and now Ace Gangreen from The Powerpuff Girls ( yes really)?ĭisagree with my rankings? Why not hash it out with me in the comments, I will gladly talk everybody’s ears off about this band if given the chance! The turn-around is insane, made even more so by the singles dropped so far already feeling like Song of the Summer contenders and the artwork that Hewlett’s been pumping out for Phase 5 being borderline his best yet. This week, Gorillaz will break yet another one of their rules by releasing album #5, The Now Now, only a year and two months after Humanz. Oh, boy, have the tunes ever remained! Finally getting to see them live last December at Manchester Arena was the highlight of my year, perhaps even decade, and their every return after a near-endless hiatus (the last of which was effectively a short-lived break-up between co-founders Damon Albarn and Jamie Hewlett) immediately becomes the only thing I’ll talk about and the only thing I’ll listen to for months at a time. Over the years, much of the mystique, rules, and kayfabe of the project have dissipated, but the tunes have remained. Thus began an infatuation with Gorillaz that has lasted to this day and will likely last until the day I finally cark it. He had no idea what this was or why the song was called “Clint Eastwood,” but he needed more. The song was unlike anything this boy had ever heard before, ditto the visuals, and ditto ditto the fact that these cartoon characters were being pitched as the band, not one-off counterparts for a concept video. But then, nestled in between those titans of popular music, was something darker, something weirder, something… animated. Shaggy, Steps, S Club 7, friggin’ Afroman, all the hits of our more innocent pre-9/11 time. He gets home, tosses the magazine aside never to be looked at again, and pops in the tape.

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He spots an issue of The Box that came packaged with a free VHS of hit music videos, pleads incessantly to his mum for the extra cash required, and the magazine is his. An almost seven-year-old Callum Petch wanders into the corner shop next to his Gainsborough-based Primary School with some saved-up pocket money in order to buy a magazine for reading once he got home.